It’s pitiful that I haven’t updated this blog in all of this month. So I’m trying to slip something in, right under the wire!
I haven’t done as much as I’d like, but still, I have done some painting. I just haven’t posted it. There are some commissions in the works (will post them later) and other stuff. I had some busy-work in other areas that kept me from posting to this blog as much as I’d like. I hope to correct that now!
Here’s a Work in Progress. It’s almost done, but still needs a few tweaks and corrections. It is not done—emphasis on NOT DONE!
I’ve been a busy, busy bee, painting and painting and painting!
This post is the story of two profile paintings, and learning when to stop, or in other words, am I quitting too soon? Or going too far? I am still learning and don’t always get it right.
The other day I started a painting, got it sort of “done,” and posted it on Facebook. I got some compliments. But I didn’t think I was done! So I did some more to it. And then even more. And I do NOT think it’s improved. I should have quit while I was ahead.
So tonight, I did a little oil sketch and “quit while I was ahead.” Maybe I’ll have to find a few dabs here and there to touch up, but I very much hope that there won’t be much more to add to it.
Thanks to hermitmessiah on DeviantArt for the use of the stock photo. I found the reference photo so fascinating because of the strong color shifts, and wanted to try to capture warm/cool temperatures in the blues and greens in the shadows and reflected light, as well as the muted flesh tones. Also loved the overall pose and expression.
Here’s the painting from the other day that I should have also quit while I was ahead, but didn’t.
There’s a little more I need to do; it’s probably not “ruined” (at least I hope not) but I should have just stopped earlier.
The problem was, it didn’t look enough like the reference photo, and while it doesn’t have to be an exact likeness (I was going for a feel, and expression, not the likeness per se), I wanted the likeness a little better! I mourn the loss of the original version, which was fresher and simpler, but didn’t look like the guy in the photo at all.
This painting is part of my “novela” series, which I find great fun, so many wonderful expressions and emotions to explore!
Again I use a “favorite” model, Jason Aaron Baca. (Photo reference credit: Photographer Portia Shao positivevista.com – Model: Jason Aaron Baca jasonaaronbaca.deviantart.com) Mr. Baca has a plethora of stock photos on DeviantArt, available for artists to use as reference. So often his photos are fraught with drama and imagination, so I have used his stock several times and plan to use more!
With this photo, it was a photo of his figure (I think waist-up) but I found the expression on his face so arresting, as well as the dramatic lighting, that I thought I could make something of it. Really enjoyed working on this one.
Painted on an oil-primed panel by RayMar. (Love my Raymar panels!)
This is a small painting I did on a Raymar panel several months ago. From my “novela” series, I continue to explore different expressions and emotions in these portrait sketches. I love Raymar panels, by the way. This is the simple acrylic-primed panel with a semi-smooth texture (for portraiture).
Another aim of this portrait sketch was to try to be less “fussy” (obsessed with picky details) in my painting technique. This attempt was partially successful.