paintings · portraits

Lotta stuff going on! Awards, new paintings, good times.

In the last few months, I’ve tried to up my game. More painting, more studying. I got some awards, honorable mentions, etc., from art competitions. I just needed to get off my butt, you know?

“La esposa,” 8×10″ oil on linen panel.
“El esposo,” 8×8″, oil on linen panel.

These two paintings were exercises to push me out of the comfort zone. In my foolish arrogance, I thought, “This will be fun!” No. It was not fun, but it was challenging and I’m glad I did them. The lighting, the unusual skin tones due to the lighting, the values — all far more difficult than I first anticipated. But now, I want to do more!

They are entitled “La esposa” and “El esposo” because the models are husband and wife. I chose Spanish titles because I’m studying Spanish and do what I want (lol).

“La esposa” was a runner up in recent Daily Paintworks contest, and won First Prize (2D art) in a local gallery exhibition. I am beyond thrilled! I was not expecting the prizes, that’s for sure!

In other news, I just got accepted into the American Impressionist Society’s “Associate Members Online Exhibition” for my painting of Gizmo. The awards will be announced later this month. I am not holding my breath that I’ll get anything. I’m just happy to be in.

I know, a lot of people say, “I’m just happy to [be nominated/accepted]” but they don’t really mean it. I mean it. It’s a story I’ll get into at another time (perhaps soon, I’m feeling verbose), but suffice it to say, I never take any honor from a contest or show lightly or for granted. Neither should anyone else. (I try not to take any rejection too hard, either. I’d like to elaborate more on that as well.)

In July, I attended an online weekend workshop taught by Arthur Gain. There will be a separate post about that because (gasp!) NSFW alert, it was a workshop about figure painting. Very tasteful and respectful figure paintings (as I like to think most are in the fine art world), but still, NSFW. The workshop was FABULOUS. I’ll link to my post about it soon.

paintings · portraits

Photoshop Elements & a small fix of “Alain in Limited Palette.”

I decided to get a three-year license of Photoshop Elements. (Like they can’t even sell anything outright anymore? What’s up with that?!?) I’m toying the idea of downgrading from my subscription to Photoshop, because for editing photos of my paintings, maybe it’s overkill. I still haven’t decided, but so far, if I go in to the “Advanced” panel in Elements, it isn’t bad. Much better than I expected. And some of the time-honored keyboard shortcuts are still there!

“Alain in Limited Palette” 6×6″ oil on canvas panel. The limited palette consisted of White, Ultramarine Blue, and Burnt Sienna.

I adjusted this photo of Alain on my easel (shot at an angle to avoid glare) and was able to effectively re-square it and edit it moderately in Photoshop Elements. I still prefer the full Photoshop, but since my needs are rather basic, perhaps Elements will be sufficient!

The “small fix” referred to in the title was a few tweaks of the painting itself. I am a follower of Adam Clague’s Patreon, and he has these fabulous critiques every month over Zoom. He gave me a few tips on how to improve this painting. I did them and this is the result.

Animals · paintings · portraits

Painting again in 2025. Limited Palette Love!

I haven’t been “gone,” I just haven’t been posting on this blog. But I have been painting! At least for the past several months with regularity. Before that, life got in the way, and also procrastination got in the way. Hopefully, that’s changing.

There’s a lot more to talk about, and I’m eager to share. But for now, I’ll just post three recent paintings and leave the rest for a future post.

“Alain in Limited Palette,” 6×6″ oil on canvas panel. This painting was not quite done when I took this photo. I have since tweaked a few things to hopefully improve the likeness. The limited palette consisted only of White, Ultramarine Blue, and Burnt Sienna.
“Sepia Tabby,” 5×7″ oil on panel. A limited palette of Burnt Umber, White, and a minimal amount of Yellow Ochre and Ultramarine Blue for the eyes.
“Yellow Crochet Flower,” 8×10″ oil on canvas panel. Part of the Raw Umber Studios challenge. This website offers royalty-free reference photos, virtual classes, and other goodies. I have an image subscription and am going to be using some of their reference photos for studies. This painting used only the Zorn Palette: White, Black, Cadmium Red, and Yellow Ochre.

So I guess the theme with these paintings is “limited palette.” I love limited palettes! They pose a challenge, but at the same time, they make it easier for the artist to have color harmony in their painting.

I feel right now like I want to go back to basics and focus on what I don’t know. Also, to find out about new things I never knew I didn’t know! It’s an endless process!

Animals · paintings · portraits

Image Dump: New cat (and human) oil paintings!

Yes, I’ve been busy painting lots of cat portraits and human portraits. Because I’ve been neglectful in updating this blog, I’m dumping a lot of new oil paintings in this post!

“Sun-kissed Tabby,” 6×6″ oil on canvas panel

This painting was just completed tonight, but it waited on my easel for way, way too long. So glad to finally call it “done”! I really loved capturing all the different colors I saw in this kitty, not least was the light showing through the ears.

“A Lock of Red Hair,” 12×12″ oil on panel. Photo reference by Marvin Mansilla (used with permission).

This is another painting that took a long time to complete. I actually signed it years ago, but only recently decided that it was truly “done” after a few touch-ups. I saw this fantastic photo on Instagram, contacted the photographer, Marvin Mansilla, to get permission to do a painting. He said yes, and here is the result! Thank you so much, Marvin, for being such an amazing photographer!

“Corazón roto” 6×6″ oil on canvas panel

I’m learning some new techniques and studying some new (to me) art concepts. One new thing is speed painting, or oil “gestures.” The goal is to see how much can be done in an hour. Well, I couldn’t quite finish this painting in an hour—it took 80 minutes. But I’m still surprised with myself! This painting is part of my “novela” series (paintings inspired by Mexican telenovelas).

In this portrait painting, this poor man obviously has had his heart broken, hence the title “Corazón roto” (broken heart).

I used a limited palette of White and Burnt Umber. I like Winsor & Newton’s Burnt Umber, as it has a warmer cast than some other paint brands.

“Minus the Tabby” 6×6″ oil on canvas panel

This is another “speed paint,” or a “gesture” painting, though it took longer than an hour. (Probably two hours?) This time I used a limited palette of Burnt Umber, White, Ultramarine Blue, a tiny bit of Yellow Ochre to mix the green eyes and a tiny bit of red to add some color to the nose.

Minus is one of my kitties. She is named after a cat we had when I was a kid. My dad named the original “Minus,” but I have no idea why he chose that name. (He had a propensity to giving everything and everyone weird or hilarious nicknames!)

Minus is a very sweet kitty, but a little “minus” in the brains department, alas. But of course she is very loved!

“Wide-Eyed” 4×4″ oil on canvas panel.

I loved the reflection in the eyes of this kitty and enjoyed capturing the many colors in the fur and also that wide-eyed expression.

All these paintings are available through my Daily Paintworks gallery.

Animals · paintings · portraits

Mini Siamese Kitty and other paintings

Mini Siamese Kitty – 2×2″ oil on primed panel

New small cat paintings

I neglected to post these paintings earlier, after I first painted them. But it’s never too late. Here they are now!

I painted “Mini Siamese Kitty” on a Trekell Mini Panel. I LOVE LOVE LOVE these panels and bought an embarrassingly large amount of them. They now reside in my substantial stash of painting panels.

They are fabulous panels because they have a subtle texture that isn’t too overpowering when you’re painting that small. I much prefer them over extra-small panels that use canvas.

To give you context to comprehend how small this painting is, behold:

Mini Siamese Kitty next to a pink packet of sweetener. Just so you understand HOW SMALL this painting is!
“Green-Eyed Kitty” 3×3″ oil on panel.

I really enjoyed painting this tabby. I used a 3×3″ mini panel from Trekell with that same sublime subtle texture. So much fun to paint on—so much fun!

“Fluffy Tabby in the Grass” 5×5″ oil on canvas panel

I enjoyed painting this tabby kitty with all the grass reflecting on his fur. The size at 5×5″ was a little small, but since oil paint is so smooth and buttery it’s amazing how much detail you can capture if the canvas texture is not too rough.

“Siamese Tabby” 6×6″ oil on canvas panel

The color cast of the reference photo was a little warmish and I battled capturing the contrast between the warm yellow-greens and the magenta-burgundy colors in the shadows. In the end, I liked the way the painting turned out. Such beautiful blue eyes on this kitty!

Inspired by telenovelas

“Ana” 6×6″ oil on canvas panel

I fussed with this portrait a bit, but…what the heck, put a fork in it, it is done!

If you’ve seen a few select shows in the USA or if you speak Spanish (or study Spanish), you might (might! the likeness isn’t perfect!) recognize this woman. She’s a Mexican telenovela actress and I love the telenovelas. Many of the small portrait studies I paint are “inspired” (meaning the likeness is purposely not 100% there) by Mexican telenovelas. I am learning Spanish and watching Spanish TV is a great learning tool. But I’d be lying if I claimed I just watched telenovelas to practice Spanish. I also just love the over-the-top drama and the gorgeous Mexican landscapes and architecture. Watching my telenovelas is a true guilty pleasure.

There is a wealth of inspiring painting material from these telenovelas (so many emotions expressed, so much drama!) and so I’ve got a queue of reference photos from telenovelas lined up, ready to be painted.

A few other examples of “telenovela inspired” paintings include Jorge, Indecision, Eavesdropping, Señorita, Intense, Sad Tears, and Mercy.

paintings · portraits

Brian (painted at age 19)

“Brian,” 16×20″ oil on stretched canvas

I painted this oil portrait (which is NOT a good likeness!) of my brother-in-law Brian when I was age 19. I remember I was studying under Shirlee Prescott at the time and she advised me on the colors. I used a black-and-white photo (taken by my sister) as a reference.

John Singer Sargeant said, “A portrait is a painting with something wrong with the mouth.” And that applies here! His mouth and chin aren’t quite “there” yet. But, since it wasn’t that embarrassingly bad as a portrait (of someone), I put it up on one of my other websites many years ago and didn’t think much about it for a very long time.

Until today. Brian died suddenly from natural causes a few days ago and the news has just broken on social media. Everyone who knew him is in shock, adding memories, sharing thoughts, and I didn’t know what I could contribute. Then I thought of this. This painting. This is my contribution. I just wish it were a better painting. But it still is a painting. Oil on canvas.

Paintings have a “permanence” to them that is unique. That’s why people commission artists to do portraits. A likeness of a person takes on more weight when it’s transformed into paint on canvas, filtered through an artist’s eyes.

Portrait paintings invite attention and a chance for discussion. Paintings often will get “spread” farther online than a simple snapshot will. People will discuss the painting on its artistic merits and sometimes start thinking of the subject of the painting too… and that’s why paintings are a special kind of memorial. If the painting is particularly good, the painting gets seen by more people—who will then see the painting of the person, the subject of the painting.

When you lose a loved one, one of the things you want most is for them to be remembered. They are gone from this earth, but it’s so comforting for something of them to be left behind in a tangible form. A painting can be one of those things.

You are here today because you like art and somehow found my art website. I am here today because of Brian. I want to share some things about him for a moment.

Brian has been a wonderful father and husband. He dealt with our crazy family shenanigans with long-suffering endurance. He was the father of two remarkable sons. He has two amazing daughters-in-law (who adored him—and you know you’ve succeeded as a parent when your in-laws love you!). He has two beautiful granddaughters, and he also leaves behind a sister and a niece.

He was a flight test engineer who had a life-long passion for planes. He built his own small aircraft and of course was a pilot. This passion spread to my sister, who also learned how to fly.

Recently they got their dream house in a “residential airpark,” a community for plane geeks, uh, fellow flying enthusiasts. It had this HUGE hangar for his planes and he spent a lot of time tweaking things there. It was a dream come true for a plane geek flying enthusiast like Brian. But it was to be short-lived—they only enjoyed a few years at that house. I feel that injustice acutely. But at the same time, I’m just so grateful that he got to enjoy it at all.

You leave a big void in our lives, Brian. I know you are flying with your own father now (who was an Air Force pilot). God bless you.

Brian doing what he loved most—tweaking on something plane-related in his own personal hangar!
Brian at a family Thanksgiving.

UPDATE:

One of my awesome nieces-in-law sent me a cell phone pic of another piece I did of Brian. Drawn when I was the same age (19), with the same problems with chin and mouth. (Mostly the chin.) But hey, it’s a good lesson: You do get better with time and practice!

Animals · portraits

After over a year… (IMAGE DUMP!)

The guilt over neglecting this blog has finally become too much! I’m trying to catch up with so many things in the past year. After a lengthy period of sharing caregiving duties with a sister for our mom (who had dementia) the “new normal” is requiring some adjustment. Furthermore, there were other things that have happened in the last year, things that kept me from painting (or updating this blog) as much as I’d like.

I can’t say that everything is now perfect and normal, but when is it ever? All I can say is that things are gently pushing upward. For that I am grateful.

Anyway, I have done many paintings in the last year. I’ll post many of them in future posts, but just want to share a select few here:

Backlit Tiger – 8×8″ oil on canvas panel.

I’m going through a “tiger phase.” This is just one tiger example. I’m not done yet! I’ve got many more tigers (and other big cats) to paint! If painting tigers is wrong, I don’t want to be right! Continue reading “After over a year… (IMAGE DUMP!)”

Animals · paintings · portraits

After another long absence, some updates, awards, etc

I have neglected this blog (as well as painting), but it hasn’t been without a reason.

Some old (but still exciting) news is that I got some recognition from the Art Muse Contest for April 2016. Thank you so much to the judge! I was a finalist in the “Emerging” category and also got the additional honor of being eligible for Gallery Representation. Pretty cool, and I am honored and thrilled!

“The Greek Artist” 12″ x 12″ oil on panel. Finalist in the Art Muse Contest! This is a portrait of a fellow artist who has strong Greek roots—a detail that brings him great pride! I snapped an impromptu photo of him while he was attending a figure drawing session. The photo made a good basis for a portrait.

“The Greek Artist” also got a “Fav 15%” from the Bold Brush awards, so that was also very cool.

There were a couple of other honors, and I need to update my “About Me” page to include them! This Spring was especially good to me.

And for other news… the last several months I’ve been quiet on this blog. I also haven’t posted any new paintings for sale on DailyPaintworks or UGallery for quite a while. Continue reading “After another long absence, some updates, awards, etc”

paintings · portraits

Profile in Blue

“Profile in Blue,” 6×6″ oil on panel. Thanks to Dailiaa of dA for the photo I used as reference.

It’s been a frustrating few weeks, with not enough opportunity to paint, and a propensity for procrastination even when there was some time to paint. There’s no excuse for this! But, thankfully in the last few days, I’ve carved out more time for art.

I started this painting about a week ago, and while I initially planned for it to be finished reasonably quickly (they call it “Daily Painting” for a reason), that’s not what happened.  I fussed with this, and corrected that, and finally I have decided that enough is enough.

So, put a fork in it, it is done!  Continue reading “Profile in Blue”